New Story “Where You Live” at the Good Men Project

The Good Men Project has been publishing some great fiction, thanks to fiction editor Matt Salesses.

So I’m very happy that my short story “Where You Live” has found a home there.

Here’s how it starts:

“It was the director himself who called. His voice, serious and low, sounded trained for such occasions, the delivering of bad news to loved ones and relatives. And this was what he told me: my mother—68 years old, known for her marble sponge cake and Zen-like bridge skills, a rabid fan of movie musicals—was missing. Missing. Though he didn’t use that word. Euphemisms were employed instead. ‘Temporarily unaccounted for’ was one, ‘currently unsupervised’ another.”

You can continue reading “Where You Live” here.

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Fessing Up

Paris Review editor Lorin Stein recently fessed up about the famous books he’s never read.

OK, I’ll fess up too…

Books I’ve never read:

  • War and Peace

  • Paradise Lost

  • Robinson Crusoe

  • Winesburg, Ohio

  • Catch-22

  • Tristram Shandy

Books I’ve started but never finished:

  • Moby-Dick

  • Anna Karenina

  • Blood Meridian

  • Gravity’s Rainbow

Anyone else care to confess?

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Coming Soon: Pank 6

The next print issue of Pank is due in January (yes, 2012 is just around the corner), and you can preorder it right now.

The list of contributors includes, well, me, along with Lindsay Hunter, Sara Lippmann, Lincoln Michel, Frank Hinton, John Warner, and (wait for it) Sherman Alexie.

The cover also looks fantastic:


Pank’s print issues are always a thing of beauty, both inside and outside, and I’m very happy the editors gave a nod to my story “Close.”

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Kathy Fish’s Dream Writing Day

Katrina Denza recently interviewed the amazing Kathy Fish.

Here’s how Kathy describes her dream writing day:

“I always begin with notebook and pen. I don’t think I’ve ever started any writing at all on the computer. I need time to scribble. And it’s all over the page. If something feels like it might be good I circle it. After awhile something clicks and I know I’m ready for the keyboard. I’m very unstructured. I don’t give myself a time limit or word count goal. Coffee is always involved. I know the writing’s going well if the coffee gets cold.

“A typical writing day is spent messing around on the internet for longer than I ought to until I’m seized with guilt and shut it off. I stare out the window a lot. I take my dog for a walk. I pour another cup of coffee. Maybe after two hours I start to scribble in my notebook. I look out the window some more. My dream writing day is when I get past all of this and go into that beautiful trance, where I forget everything and look up, finally, two hours later and have before me something that feels real and right and pretty decent. A dream writing day is when it feels effortless.”

Kathy’s book “Wild Life” is a master class in the art of flash fiction. Highly, highly recommended.

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Gift

This is something from an in-progress essay/story I’ve been writing about my father. He died seven years ago today…

Dodger stadium. A night game, mid-week. Sometime in the late 70s—the golden age of Garvey, Cey, Russell, Lopes, Yeager, Baker, Smith. Sitting in the exile of the left field bleachers. Peanut shells piled below us. The hum of people and baseball and memory. The announcer’s voice was the voice of God. I was keeping score.

Over the years my father and I had attended hundreds of Dodger (and Angels) games, and never, not once, had we ever caught a foul ball. I stopped bringing my mitt to games; instead I bought the game programs and religiously tracked the balls and strikes, the double plays and ground outs.

But that particular summer night, deep into the game—say, the seventh or eighth inning—it happened. The bat cracked and the ball rose and made its slow-then-fast descent nearby, landing with a smack and bouncing madly two rows in front of us. There was immediate mayhem. My father leapt over some empty chairs and then dove head first toward the skittering ball. I’d never seen him move like that. He was probably fifty-four or fifty-five at this point. An old dad, just like me.

And now, thinking of this, many years later, after asking my oldest son if he wanted to go to a baseball game (he sighed and said no thanks), I can still see my father’s lanky frame stretched out, reaching for the ball, fending off the other dads and scrambling combatants, the look of satisfaction on his face once he had it, the ball, secure in his hands, walking triumphantly toward me, climbing back over the chairs (yellow? I remember them as being yellow) and sitting down next to me, placing the ball in my hand as if it were a prize bestowed to a prince, and I’m inspecting the scuffed leather, the rough feel of the red stitching, rubbing my fingers over the fresh blemish from the impact of the concrete, and also there’s the sweat on my father’s brow, his breathing slowing, sipping his beer as a reward, and again I look at and rub the magical object, over and over, slumped in my yellow chair, unaware of the passage of time, the game continuing, finally having what had been coveted for so long, this gift being given from father to son, son to father, and back again.

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