All this week Five Chapters will be publishing daily installments of short story “Babies.”
You can get started with part 1, which is available here.
Happy reading!
Update: part 2, part 3, part 4, and part 5 also now available.
All this week Five Chapters will be publishing daily installments of short story “Babies.”
You can get started with part 1, which is available here.
Happy reading!
Update: part 2, part 3, part 4, and part 5 also now available.
“Bob worked at The Dairy. Not a dairy dairy with cows and milking devices and such, but a place we called The Dairy, because, I think, its official name was something like The Something-View Drive-Thru Market and Dairy. This was the mid-1980s, when there were still drive-thru markets…”
I don’t write much nonfiction these days, but I have a short essay-ish thing over at BULL. It’s called “Bob, or When the Nights Are Both Long and Short,” and you can read it here.
If you went to high school with me, you might recognize some of the names and places.
It was a good year. It was a very good year…
Rarely do I stop and step back and appreciate what I’ve accomplished. I’m always on to the next thing, rushing ahead. But I have to say, this feels like a pretty damn good list. If I can lick this cold, I’ll have some extra reasons to celebrate tomorrow night.
Happy New Year!
“When writers who are just starting out ask me when it gets easier, my answer is never. It never gets easier. I don’t want to scare them, so I rarely say more than that, but the truth is that, if anything, it gets harder. The writing life isn’t just filled with predictable uncertainties but with the awareness that we are always starting over again. That everything we ever write will be flawed. We may have written one book, or many, but all we know — if we know anything at all — is how to write the book we’re writing. All novels are failures. Perfection itself would be a failure. All we can hope is that we will fail better. That we won’t succumb to fear of the unknown. That we will not fall prey to the easy enchantments of repeating what may have worked in the past. I try to remember that the job — as well as the plight, and the unexpected joy — of the artist is to embrace uncertainty, to be sharpened and honed by it. To be birthed by it. Each time we come to the end of a piece of work, we have failed as we have leapt—spectacularly, brazenly — into the unknown.”
— Dani Shapiro